Hobbywizard Hobbies and Craft-An Artist's Journey of Colors and Emotions Illustrated In 3 Paintings

Tip! The paint itself should be of good quality and of the basic colour range, making sure that all paints are compatible. Again, planning is needed here as you may need to purchase any specific colours according to the subject of your painting.

This is a journey of sorts from one frame of mind to another and the colors and moods that guided me. I describe three paintings and their process.

"Anticipation" 36x24 oil on canvas, dated, Sept. 1998, from my "Passion Series" *

was actually a breakthrough piece for me. I had been painting my "Victorian Series" for months, spending hours on modulating the colors. I paint a lot from photos. My goal with the "Victorian Series" was to put in as many colors in the skin tone as I could. Looking at a photo or life long enough a lot of colors begin to show themselves that normally go unnoticed. Modulating many colors I became frustrated and bored after finishing 10 or so of them. I had a canvas that I had painted a dark blue and decided that maybe it would be ok to just play.....and not modulate at all. I found a picture that I liked, studied the colors, filled my brush a fresh for each stroke and applied them to my canvas. I have not modulated to the extent that I was since. I continued painting with this color palette naming the series "The Passion Series". I still tried to fit every color in the rainbow on my palette as I do to this day adding small nuances wherever I can. I would add here too that the series before "The Passion Series" was "Hawaiian Legacy" which is predominantly done in sepia, tones.

Another example of moving forward is "Girl On Phthalo Green" 36x48 oil on canvas, dated Oct. 2000 and from my "Cosmopolitan Series" * I became tired of the palette of blues and fell in love with phthalo green for a time. I guess I still love it. This painting was greatly influenced by Modgliani. When I was in high school, many years ago, my mother asked me to copy a Modigliani for her house. I painted a 60x72 piece for her in corals. I never forgot that painting nor Modigliani. When I feel truly inspired paintings are done quickly and the brushstrokes are done wildly. I am in heaven during these times. I painted this in perhaps 3 hours over another painting I did not like.

"The Power Within Me" 48x36 oil and gold liner on canvas dated August 2002 is part of my "African Series" * This painting is part of my "African Series". I used phthalo green along with my beloved full palette in this series. I painted this quickly as well. It almost feels like a fever, it just flows. I attribute that to doing my homework so to speak. All those years of modulating and painting in sepia tones, my constant drawing in graphite gives me a base of understanding. I put down colors as I feel them, almost in a dance and it is most certainly trance like. I use a lot of paint and use big brushes. I work from dark to light. I save the lights and small brushes until I am pretty sure that I am happy with the painting in general. It is always tempting to use small brushes and add some highlight but I remind myself that that would probably ruin the painting and make it appear tedious. Sometimes they don't work, but I just think, "So What!" I can always paint over it, that is the gift of doing oils. I think sometimes there is more freedom in oils than there is in drawing and most certainly watercolors. Painting on large canvas' is also very free. When I paint small I become locked up and back to where I started when I modulated colors. When we draw on paper we try to tell ourselves that it is 'just paper' to try to set ourselves free from worry about the end results, but oils make a better friend to me.

Tip! As for the henna dyes, which Mehndi uses, there's a difference between the synthetic black henna, and the natural brown henna. The natural henna dye is completely safe when body painting, but the synthetic black henna dye could cause allergic reactions.

In all of my paintings emotion plays the strongest part. This is the part that takes the longest. If anything must be right it is the emotion felt by the image, so that they can breath. Sometimes I cannot get that part and it is so frustrating to me that I cannot sleep at night. It becomes the only thing I think about. I choose to paint mostly women because I am one and because I think they are beautiful.

"Passion Series" posted on my website #1 "Cosmopolitan Series" posted on my website #1 "African Series" posted on my website #4

:Kathy Ostman-Magnusen Hawaii, United States Aloha! I am a figurative artist and Illustrator. If you check out my website you will see that I am very prolific in oils. My paintings are collected worldwide. I also do sculpture; images available upon request. I have illustrated for Hay House Inc. , Neil Davidson, who was considered for the Pulitzer Prize in feature writing, and several other publications. I also enjoy story writing and poetry. All of the paintings,stories and poems on my blogs and website are written by me.

Tip! An artist not only captures the forms of nature, the artist's spirit interacts with the spirit of the animals or men he is painting. His painting captures both the spirit and the message of its subject.

Check out my website http://www.kathysart.com or one of my blogs at: http://kathysart.blogspot.com/

An Artist's Journey of Colors and Emotions Illustrated In 3 Paintings

The Painting Process: An Artist's Journey of Colors and Emotions Illustrated In 3 Paintings

An Artist's Journey of Colors and
Emotions Illustrated In 3 Paintings